Simple Funk in D with Flat 7

This is a fairly basic, repetitive Funk riff in D, with a flat 7. Notice that I play the riff four times, and on the fourth time I do a variation that loops back around to the main riff. This

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Basic Boogie Woogie with Flat 7

This is the third lesson in the Boogie Woogie series. As I mentioned in the previous lessons, the Boogie Woogie pattern is one of the most pervasive bass lines in Blues and Rock and Roll. It’s the foundation for literally

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Basic Boogie Woogie Pattern 2

This is the second lesson in the Boogie Woogie series. As I mentioned in the first lesson, the Boogie Woogie pattern is one of the most pervasive bass lines in Blues and Rock and Roll. It’s the foundation for literally

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Basic Boogie Woogie Pattern

The Boogie Woogie pattern is one of the most pervasive bass lines in Blues and Rock and Roll. It’s the foundation for literally thousands of lines. So, it’s pretty important if you want to play Rock or Blues.

This lesson

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Funk in D with Ghost Notes

This is a simple, repetitive Funk riff that uses ghost notes to add some spice. A ghost note has no pitch. It’s a way to add rhythmic interest to a line. You’ll hear them in hundreds of Soul, R&B

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Basic Killing Floor Riff

This is a very standard and traditional Blues bass riff. It’s actually a simple version of the riff used for The Killing Floor, and many other Blues songs.

Watch the video, and pay special attention to which notes are used.

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Funk Riff in A with Flat 7

Here’s an easy riff in A, with a flat 7. Watch the video, and pay special attention to which notes are used. Then, learn the notes in order, but not in time. Next, play along with the slow version, until

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Bass of the Hills Turtorial

The Mixolydian scale is one of the most-used scales in modern music. Basically, it’s a major scale with a dominant (or flat) seventh. This tutorial looks at how I use the Mixolydian scale in my solo piece, Bass of the

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The Nashville Number System

The Nashville Number charts are a standard way to write out chord progressions and arrangements for songs that do not require reading music. This approach came about in the 1950s as the studio crew known as the A Team was recording around the clock in studios like the Quonset Hut and RCA Studio B with artists like Elvis, Brenda Lee, Roy Orbison, Marty Robbins, and countless other Country, Pop and Rock artists. I believe credit for this system lies with the Vocal group the Jordanaires who sang backup on most of the record dates in Nashville at that time. Continue reading

Modes and Diatonic Chords Part 2

Now that you’ve had a month to get the C major modal patterns under your fingers, let’s transpose them and work with another key. It’s pretty simple, really. All of the other keys will use the same guidelines as far

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