Soloing Over Lemonade Blues
The Three Up, Three Down Trick for Walking Bass
Shuffle Ping Pong
A few weeks ago I attended a local Blues jam for the first time. The house bassist, Paul, had great feel, and a very deep pocket. During the opening set, the band played an old shuffle with a new feel.
Blues Rhumba Fingering Variation 2
This is the final lesson in the basic Blues Rhumba series. So far, you’ve learned two fingering patterns for the Rhumba. Today we’ll look at the the third and final pattern.
The video opens (as many of them do) with
Blues Rhumba Fingering Variation 1
The video opens (as many of them do) with a demonstration of the riff over a 12-Bar Blues – this time in C Major. Next, I show you the notes, one at a time, then play the basic riff at
Blues Rhumba Jam in C
I recently posted a lesson on the Blues Rhumba. As I mentioned, you won’t hear a rhumba as often as you hear a shuffle feel, but that’s one reason it’s so memorable. And it’s important to be able to play
Closed Box Shuffle in A
The shuffle feel is one of the most important styles for a Blues bassist to master. If you can’t shuffle, you can’t play the Blues. And the box shuffle is one of the most-used set of lines used. I’ve heard
Blues Rhumba in C Major
The Blues rhumba (or rumba) has almost an “island” feel. There’s a bit of syncopation to it, and it’s important to play it with feeling. You won’t hear a rhumba as often as you will a shuffle, but
Basic Boogie Woogie with Flat 7
This is the third lesson in the Boogie Woogie series. As I mentioned in the previous lessons, the Boogie Woogie pattern is one of the most pervasive bass lines in Blues and Rock and Roll. It’s the foundation for literally
Basic Boogie Woogie Pattern 2
This is the second lesson in the Boogie Woogie series. As I mentioned in the first lesson, the Boogie Woogie pattern is one of the most pervasive bass lines in Blues and Rock and Roll. It’s the foundation for literally
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